We are Blessed. I say this all the time and its so true "My Network is my Net worth!"
Welp, this time it has lead to questions Answered from my FB Fan Page or my TwinkSTARS!
These Questions are answered by Award Winning Director (and friend) Millicent Shelton! Thank you Millicent for your attention to this.
We appreciate you!
1. Joseph Alvarez How was it going to school at Princeton University? Princeton
was where I discovered that I wanted a life in the creative arts. I worked Props
for the Triangle Show and toured during winter break. I loved it. Does the
industry treat you differently when they find out that you’re from Princeton? Not
really. It just lets people know that I am book smart.
2. Drea Wright Thompson What are the best things parents can do to prepare
children for this industry? I think all parents should support and help
their children achieve their dreams whatever those dreams are. Tell them that
they can achieve anything if they work hard enough. Nothing worth having
comes easy. Encourage your children to believe in their dreams while they are
young so that when they are 11 &13 they will start actively taking steps in the
direction of achieving those dreams.
3. Sashani Nichole What is one piece of advice you can give other talented up and
coming female directors to help them break into Hollywood or work with
someone like yourself? You will be challenged, often and without remorse, so
stay strong, stay smart, stay cool and never give up.
4. Ellen Schoeters How did it feel when you got your first directing job? Scary and
exhilarating all at once. I am always confident on the outside but inside I had to
remind myself “I can do this!” Do you feel that amazing energy running through
your body when you are working? Yes, even on the toughest days, I am thankful
to be blessed to be able to make a living doing something I love.
5. Love Rose: What keeps you inspired as a director even in between projects? My
goal is to be better, hone my craft, and do more exciting projects. I always see
room for improvement that’s what inspires me.
6. Patricia McRae As an established Television Director would you consider having
Job Shadow opportunities on set for people interested in directing? Yes, a lot of
people have shadowed me and gone on to do great work. When I first started, I
was given an opportunity to shadow other directors and that opened doors for
me so I pay it forward. If so, what would be the process for applying? The
producers of a show have to give their approval before I can allow someone to
shadow me. I only have shadows on shows that I am returning on. Send me a
resume and get on the list. It’s a very long list.
7. Adrienne Renee Who is your most important mentor and why do you consider
him/her to be that? My mother is my most important mentor in life. She dared
me to follow my dreams and gave me enough confidence to believe that I could
achieve them. Paris Barclay is my mentor in career. He allowed me to watch
him direct for 3 years. It was like a Master class in Television direction! He is
always there to support me no matter how busy his life has become. I admire
his craft, his intelligence, and his lightness of making it all seem easy when it’s
not! I also wanted to know what you think will define the evolution of female
directors over the next few years? We have an Oscar winning female director,
Kathryn Bigelow, and plenty of other Emmy award winning female directors in
comedy and dramatic television directing. If that’s not evolution, I’m not sure
what is. We have to continue to work and to do good work while pushing for
better hiring numbers.
8. Dolann M. Adams What draws you to your projects? I love projects that have
rich, complex characters. Do you prefer directing comedies or dramas and why? I
love both. Having experience in both dramatic and comedic shows has made me
stronger as a director. I can give drama a little levity when necessary and all
great comedies must have heart. Have you found and directed the project that
made your heart sing? One of my all time favorite shows that I directed was
MEN OF A CERTAIN AGE. Working with Andre Braugher, Scott Bakula and Ray
Romano was truly special. I loved working with John Ridley again on AMERICAN
CRIME. The cast was amazing and John creates such deep characters that it
creatively challenged and inspired me. How do you work with actors on set? I
like to see what an actor gives first. Based on that, I give notes to bring out what
is working and create subtle changes with them to shape a scene. I embrace the
collaboration. Do you prefer lots of one on one rehearsal or are table reads
sufficient? When working on episodic television, there is not a lot of time for
rehearsals. We run through it for blocking once or twice then quickly have to
find the pulse of the scene during filming. The performance evolves take after
take. The Producers determine whether or not there is a table read. I find table
reads to be very useful.
9. How have you mentored the next generation of women directors? Directors
have mentored me and I believe in paying it forward by looking for up and
coming female directors to help. Many female directors have shadowed me but
often it’s being a sounding board and offering advice that helps the most. What
kind of projects would you refuse to direct? I don’t direct what I can’t get
creatively behind. What kind of projects are you dying to direct? I would kill to
direct Idris Elba in LUTHER on BBC.
10. Nicole De Do you think there will ever be more black sitcoms like the 90s era?
Shows like Empire and Black-ish are doing very well. Viola Davis just won a SAG
Award for her performance on How to Get Away with Murder. If people keep
watching, networks will make more of these types of shows.
11. Joshua R. Lamont TV moves so fast, what do you need the most from your
actors, crew and assistants on set? Everyone has to be on his or her “A” game
including me. We don’t have the luxury of time. The actors have to know their
lines, the crew has to work fast, my assistant needs to be supportive, and I need
to have my homework done. What is the one thing you’ve learned from actors
while being on set? Actors have taught me to listen and watch openly. How do
you establish your own style while keeping within the tones of the show? In TV,
I’m a guest director. I have to keep the established language of the show yet
work my vision in it. I embrace their style and make it my own. I begin by
watching lots of episodes of the shows that I direct prior to working then read
the scripts leading up to my episode so I know all the back story. After that, I
relax and daydream my script.
|Director Millicent Shelton|
Thank you again Millicent and Thank you TwinkSTARS for your Awesome Questions!!
More to come... Stay Tuned!!